Photography – christianehoej.dk

My new Darkroom for Lightroom

March 8th, 2018March 8th, 2018

I have built myself a new darkroom. When I was young, that would have involved the use of plywood, power tools and black paint. Nowadays it’s easier: it just means putting together a new PC. It wasn’t planned to be. But one day my stationary computer just wouldn’t start up. I tried every trick in … Read more

When a compromise is a good solution: Sigma DC 17-70 2.8-4

March 15th, 2017March 14th, 2017

To me, travel and photography are intimately interconnected. I would hate to go on a trip without a camera. But at the same time I don’t want to be bogged down by a lot of heavy gear. Depending on circumstances I might bring with me a couple of lenses, including a prime, such as a … Read more

Køb af kamera

May 16th, 2016

Sorry, this entry is only available in Danish. To read it in that language, please select “Dansk” in the top menu.

Lightroom CC – close but no cloud

May 15th, 2016April 27th, 2016

This is probably not an unusual scenario for many users of Adobe Lightroom: when travelling away from home you bring a laptop together with you camera. This allows you not only to back up photos from your memory cards, but also to import them into Lightroom for sorting and maybe some initial processing, or even … Read more

Occasional Museum Picture #9

January 20th, 2016January 20th, 2016

A bunch of school kids in the Valley of Queens, Egypt. If all school kids at my museum came with that look on their face, I think I would be willing to work there for free….

Plastic Fantastic

November 26th, 2015November 26th, 2015

On a trip to Italy last autumn, I came by an unusually well equipped camera shop in Siena. Amidst a lot of other stuff, they had several Pentax lenses on their shelves. One of them being the SMC Pentax DA 1:2.4 35mm AL. This is a fairly cheap piece of glass already, but the price … Read more

Occasional Museum Picture #8

November 22nd, 2015November 22nd, 2015

Normally you would be looking at all the interesting objects that are inside the museum. And the Musée d’Orsay in Paris for sure has some impressive objects to look at. However, the look outside from within what is now a museum, but used to be a railway station, through the glass-face of a gigantic clock towards the Sacré Coeur, is no less fascinating.

Color-Ultron

April 12th, 2015December 20th, 2014

I have been fiddling around with a new lens. Well, not actually quite new, to be honest. It’s a Color-Ultron 1.8/50 from Voigtländer, a company which was founded in Vienna in 1756, making it the oldest optical company in the camera world.

My lens is only around 40 years old, though. It is from the time when Voigtländer was owned by Rollei, but based on a design by the previous owner of the brand, Carl Zeiss. Despite its name and heritage, this particular lens is made in Singapore, not in Germany.

But it has all the characteristics of a classic 50 mm of the film SLR-era: bright, sharp and solid all-metal construction. This particular lens is also featuring an M42 screw-mount. It can be used on a modern DSLR, such as my K-5 II, with the help of an adapter – in this case an M42 to K-mount.

Go Raw

April 13th, 2015April 6th, 2014

The other day I was going through some older photos in Ligthroom, weeding out some of those that I should never have kept in the first place.

This one for instance. It was taken at the Detroit Riverwalk on an early summers evening two years ago. There was very much contrast to the scene, and the camera has obviously metered for the sky, resulting in severe underexposure of the children playing in the fountain. I should of course have dialled in +1 or 2 EV when I took the picture, but I didn’t.

However, milliseconds before hitting “delete”, it occurred to me that something might be hiding there in the darkness.

Women in politics and photography

March 11th, 2015March 8th, 2014

On a recent trip to Berlin I happened to buy a couple of photo books. One was about Tina Modotti (1896-1942), whom I already knew vaguely, another about Edith Tudor-Hart (1908-1973) whom I frankly had never heard about before. The book was still wrapped in cellophane, so I could not take a look inside, but I decided to buy it based on the text on the back-cover alone.

Accidentally, Modotti and Tudor-Hart seem to have had a lot in common. They were both women, obviously, and not very far apart in age. They both lived most of their lives in exile or as immigrants. And they were both very much involved in the political struggles of their time, as communists and antifascists.

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