Live working – the real story about the “underclass”

Okay, so now we are tired of Karina Pedersen (Danish author of a much discussed book about life in the “underclass”) and her liberal friends and their anti-social and anti-historical moralistic musings about the so called underclass. Regarding history: allow me to recommend Paul Masons book Live working or die fighting – how the working … Read more

Gender or Class?

Gender or Class?

Today it is 8 March, the international day for women’s liberation. This day was inaugurated at the international socialist women’s congress, which took place in Copenhagen in 1910. On the occasion of the day I have translated a text about the time, when female workers started organising – and the reactions they were met by, … Read more

Occasional Museum Picture #8

Musée d'Orsay

Normally you would be looking at all the interesting objects that are inside the museum. And the Musée d’Orsay in Paris for sure has some impressive objects to look at. However, the look outside from within what is now a museum, but used to be a railway station, through the glass-face of a gigantic clock towards the Sacré Coeur, is no less fascinating.

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Color-Ultron

Color-Ultron

I have been fiddling around with a new lens. Well, not actually quite new, to be honest. It’s a Color-Ultron 1.8/50 from Voigtländer, a company which was founded in Vienna in 1756, making it the oldest optical company in the camera world.

My lens is only around 40 years old, though. It is from the time when Voigtländer was owned by Rollei, but based on a design by the previous owner of the brand, Carl Zeiss. Despite its name and heritage, this particular lens is made in Singapore, not in Germany.

But it has all the characteristics of a classic 50 mm of the film SLR-era: bright, sharp and solid all-metal construction. This particular lens is also featuring an M42 screw-mount. It can be used on a modern DSLR, such as my K-5 II, with the help of an adapter – in this case an M42 to K-mount.

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